Seen down an alley in Osaka

A street-scene print with a playful punch — the kind of character-led piece you spot down an alley and remember for years. “Street Sumo” balances humour and grit: urban texture with a simple, bold idea. It works beautifully as a standalone print in a hallway, bedroom, or studio, and it pairs especially well with city/culture posters where the vibe is observed-from-the-street rather than designed-in-a-boardroom. If you want your space to feel travelled, lived-in, and visually loud, this one fits.

Old Master, Cowabunga!

Another “old master meets street poster” collision — classic art energy reworked into modern wall impact. This print is for people who like cultural references but want them to feel contemporary and slightly subversive. It looks great as part of a set with Leonardo/Donatello/Raffaello, or as a single piece that adds sophistication to a protest-heavy wall. Ideal for studies, hallways, and living rooms where you want the space to feel smart without feeling stiff.

Old Master, Radical!

Old master energy, re-framed through a radical, street-poster lens. This print plays with the collision between “high art” and the politics of the street — the museum versus the wall outside it. It’s a great choice if you like your space to feel cultured but not conservative: classical references with contemporary bite. Hang it in a study, hallway, or living room, and pair it with the other artist prints (Michelangelo, Leonardo, Donatello) to build a clever set.

Osaka streets, crab leg treats.

A city print that captures the neon, street-life energy of Osaka — a wall souvenir that feels found rather than manufactured. This one is perfect for travel lovers, street photography fans, and collectors who like culture posters that still fit the CAPSIZE street-poster aesthetic. Hang it in a hallway, living room, or studio as a colour-and-place anchor. Pair it with “Street Sumo” for a strong Osaka set, or mix with “Roma” for a cities wall.

You will be my rest and peace child

Inspired by David Bowie, a softer-feeling poster with street-style design language — charming on the surface, but still punchy enough to read like something you’d find pasted up in the city. It’s a great “bridge” print if you want to mix heavier politics with lighter pieces, or if you’re building a gallery wall that needs breath between louder statements. Hang it in a bedroom, hallway, or creative corner. Pair it with typographic posters to keep the overall wall feeling sharp and modern.

From 27BC to now.

A city poster with street-level character — part travel memory, part found-art documentation. This one is for people who collect places the way others collect souvenirs: fragments of typography, dates, textures, and local atmosphere. It sits perfectly in a hallway, bedroom, or above a desk, especially if you want your space to feel like a wall of posters you picked up on the move. Pair it with Osaka or other city prints to build a “cities through street art” set.

Italian Culture in Japanese.

A culture poster with the feel of an urban noticeboard — part announcement, part identity, part place. “Centro Culturale” has that European street typography vibe that looks effortlessly cool on the wall. Great for hallways, studios, or living rooms, especially if you’re building a gallery wall that mixes politics with city and culture ephemera. Pair it with “Mangia,” “Roma,” or “Perché Venire Qui?” for an Italian-leaning trio.

Why would he come here now?

An Italian phrase that feels like a question thrown into the street — part confusion, part critique, part existential shrug. This print works beautifully as typographic art: it catches the eye, pulls people closer, and makes them translate it in their head. Great for collectors who love European street aesthetics, language-based design, and posters that leave space for interpretation. Pair it with “Roma” or other city/culture prints for a cohesive, travelled wall.

Old Master, Booyakasha!

A classic name, reworked through a contemporary poster lens. Like the other old-master pieces, this one plays with the hierarchy of “museum art” versus “street art,” making it perfect for spaces that want to feel cultured and rebellious at the same time. It looks great in a hallway or study, and it pairs brilliantly as a set with Michelangelo/Donatello/Raffaello. Use it to add visual variety to a protest-heavy wall while keeping the overall collection cohesive.

Pucker up Victor…

A political metaphor disguised as a monster story: what we create can turn on us; what we build can escape control. This print is perfect for anyone who likes satire with literary teeth, or political art that feels darker and smarter than a simple slogan. It works especially well in studies, offices, and creative spaces — places where people will look twice. Pair it with “Trump 2028” or other satire pieces for a wall that feels ominously funny.

Neon nights across London Town.

A phrase that flips expectations — part reassurance, part identity statement. This is a modern typographic print with street poster attitude: bold, clean, and slightly defiant. It’s a great option for bedrooms, studios, and social spaces, and it pairs well with both humour prints and heavier political work because it sits in the middle: personal, but still punchy. Use it as a “reset” piece in a gallery wall to add variety without losing edge.

A ubiquitous South East Asian acknowledgement.

A playful “rule” poster with street-sign energy — the kind of thing you’d laugh at, photograph, and then want on your wall. It reads like a found urban artefact: specific, slightly absurd, and culturally textured. Great for kitchens and dining spaces (especially), or anywhere you want the room to feel lived-in and worldly. Pair it with city prints like “Osaka Dotonburi” for a fun mini-set that feels like street life captured as design.

Old Master Go, Ninja, Go!

Old-master reference with a modern poster sensibility — crisp, graphic, and designed to feel contemporary on the wall. Like the other artist prints, it’s great for adding art-history flavour without losing the street-inspired edge of your collection. Ideal for studies, hallways, and living rooms, and especially strong as part of a set with Leonardo/Michelangelo/Raffaello. Use it to give your gallery wall texture — a nod to tradition, but not obedience.

Tourists beware in South America.

A blunt, confrontational slogan that reads like genuine street politics — not polite commentary. This print is designed to provoke, to challenge, to force a reaction. It’s for collectors who want art that doesn’t try to be neutral and doesn’t ask permission. Hang it in a living room, studio, or workspace where debate is welcome, and pair it with other anti-imperial or class-conscious pieces to build a wall that feels like a political pamphlet — but graphic.

Art is the weapon.

A slogan that treats art as a tool — not decoration. “Let art be your weapon” captures the spirit of activist poster culture: making images that move people, not just match sofas. This print is ideal for studios, creative workspaces, and anyone who wants their walls to feel like a manifesto. It’s bold enough to stand alone, but it also plays well with resistance and protest themes for a gallery wall that looks like a street campaign — intentional, graphic, and alive